Il tuo browser non supporta JavaScript!

Ruzante e l’Amphitruo: tracce plautine prima delle commedie ‘plautine’

digital Ruzante e l’Amphitruo: tracce plautine prima delle commedie ‘plautine’
Articolo
rivista AEVUM
fascicolo AEVUM - 2018 - 3
titolo Ruzante e l’Amphitruo: tracce plautine prima delle commedie ‘plautine’
autore
editore Vita e Pensiero
formato Articolo | Pdf
online da 03-2019
doi 10.26350/000193_000026
issn 0001-9593 (stampa) | 1827-787X (digitale)
€ 6,00

Ebook in formato Pdf leggibile su questi device:

This paper aims to underline the prominent function of Latin comedy in Ruzante’s ‘theatrical adventure’, focusing on the works that precede Piovana and Vaccaria. These two comedies, which respectively ‘translate’ Plautus’ Rudens and Asinaria, have been commonly considered as the result of a late approach to the ancient theatre, which leads Ruzante’s creativityto a significant involution. Widening the analysis to his whole production and examining the presence of a specific intertext (Plautus’ Amphitruo), the paper investigates how Ruzante, throughout his theatrical production, elaborates in an increasingly complex way the Plautine scenes dedicated to ‘the theft of identity’, using Plautus as a constant model, which strongly influences his dramaturgical elaboration.

keywords

Ruzante, Plautus, Amphitruo, ancient drama