D’Annunzio e il Rinascimento: considerazioni preliminari e proposte di ricerca
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Between the nineteenth and the twentieth century the interpretation of the Renaissance drastically changed in Europe, preparing the path for the forthcoming Renaissancekult, as Walther Rehm called it. At the same time, in Italy the Renaissance as a historiographic and aesthetic category continues to give rise to polemics and controversies. A major exception is Gabriele d’Annunzio, who at the contrary contributed greatly to a more a positive attitude toward the Renaissance. This article aims to provide an assessment of this research topic, setting some guidelines to further investigation. The focus will be, in particular, on d’Annunzio’s sophisticated knowledge of the Renaissance, the influence of the Renaissance in shaping his model of a superuomo and the possible role played by the humanistic theory and practice of the imitatio in his literary workshop.
keywordsD’Annunzio, Renaissance, imitatio, Superuomo, Italian humanism. |
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