«...del mondo a l’altro lato»: Conversione e metamorfosi nella Gerusalemme liberata
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Analysing both the duel scenes and the witchcraft scenes (characterized by an action/
reaction pattern) and the route of Rinaldo towards the crusaders’ camp (intended as the
way to conversion) by means of the figures of speech, we can perceive a recurrence of some
figures which could have become representative both of the archaic world picture and of the
Christian one. Anthitesis, chiasmus, anaphore, parallelism thus become the images of a sort of
‘‘poetic theory of metamorphosis’’ which reveals itself when magic forces or violence affect
the action and which is complementary to the ‘‘poetic theory of conversion’’ already codified
with reference to Divina Commedia. The latter theory shows forms that go beyond the fixed
and repetitive structures of antithesis through the use of correctio and adversative formulas in
order to symbolize the way to repentance and to spiritual growth. So Rinaldo’s journey becomes
the illustration of that route which, in its rethorical devices and in the reuse of some
themes, offers several similarities with the travel of Dante as a character.
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